I hadn’t known he had recorded this song — I knew the Glenn Miller version only. Well, Frank rocks it.
Harry Truman announces the surrender of Japan.
I direct you to my latest post at My Uncle’s Letters from the War, wherein my uncle mentions a trip to Winchester and a visit to its cathedral.
Made me think of this song, in which hippies are nostalgic for the days of vaudeville. Rather like when we are nostalgic for hippies, though God knows why we would be. The 1960s, as my late brother used to say, have a lot for which to answer.
But this song is cute.
Although I have been watching some of the Women’s World Cup, I freely admit that it is not anywhere as interesting as the World Cup (i.e., the men’s tournament). I love soccer and even spent a tiny fortune a couple of years ago in Italy to attend a Serie A match.
But the women’s game is just, well, kind of boring. It isn’t that the Women’s World Cup athletes aren’t extraordinary and talented. Of course, they are. So what are the differences and why isn’t the women’s game as exciting? I think Duleep Allirajah sums up the matter here. I would agree with the reasons he gives for the discrepancies, though he leaves one out of the equation: for reasons on which I can’t quite put my finger, it is not nearly as much fun to make World War II jokes while watching the Women’s World Cup. For example, as I type this, I am watching the Germany-England third place match. And even though the English have a goalkeeper named Chamberlain, I can’t muster up a good Sudetenland joke!
Why is that?
In part, it may be that there were not female soldiers in combat during World War II. But maybe there are other reasons. I don’t know. Perhaps we don’t think of women as warriors (silly, as women can be far more vicious and petty fighters than men), or maybe it all comes down to the lack of physical power and speed in the women’s game, making it less likely to inspire a “panzer” joke. Whatever the reasons, it’s a crying shame, because the final tomorrow is a U.S.-Japan battle.
I’ll be watching, but I won’t be screaming “Tora, Tora, Tora!”
On this anniversary, please check out my tumblr: latest installment is a letter my uncle wrote after a brush with a buzz-bomb, shortly after D-Day.
Once we had leaders.
Please visit my tumblr — “My Uncle’s Letters from the War.”
One of the finest speeches in cinematic history.
I’m still here. Just been a combination of busy and dealing with a great upsurge of various emotions. My better half pointed out that we are coming up on the anniversary of my mother’s death, so I’m guessing that is a trigger. Will try to post more devotedly, but right now I direct your attention to My Uncle’s Letters from the War, a tumblr I started a while back (and which I have already linked to on this site). I have been so happy (though ’tis also rather bittersweet) to be in touch with people who either knew him or are the children of those who knew him and I’m hoping for more such feedback as I continue posting his letters.
Currently, I am calling all Yentes.
Kitty Foyle is one of my favourite schlocky movies from days of yore: it’s sort of an early rom-com, though short on comedy, more of a romance novel (and it actually was a novel) turned vehicle for Ginger Rogers (who was terrific in the role). One has to take it, though, as being “of its time,” so to speak. There is, for example, one particularly cringe-worthy moment where Kitty says that she is “free, white and 21.” Oy.
I watched it recently on Turner Classic, and I realized that for me, it represents a connection to both of my parents. My dad told me once that in his youth, he had a big crush on Ginger Rogers, though he got over it when he discovered that she was, in his words, “a fascist.” Now, I did some reading on Rogers, and she was not a fascist. She was a Republican and not a fan of the New Deal or FDR. That said, when the war started, she abandoned the Republican isolationism of the era and became a full-on supporter of the war effort – she owned a ranch that donated milk to soldiers and she performed in numerous USO tours.
It connects to my mom, at least in my mind, because of her love of the word “pill” to describe a certain type of man. What type of man? Well, just watch Kitty Foyle and you’ll see that she is torn between two pills. In the end — spoiler alert — she chooses the pill who wants to marry her, rather than the pill who just wants her as a mistress. It’s a smart choice, I suppose, though one senses Kitty preferred the latter pill.
Here is the original trailer of the movie, in which you can see both pills, and Ginger rocking the role of a white-collar gal. (By the way, I like to think of myself as a “sassy mick,” just like Kitty!)