I am a huge fan of Woody Allen – I think he is America’s finest filmmaker, rivalled only by Scorsese or Spielberg – and so I read his autobiography as soon as it was published. I was immensely relieved that it was published, as the forces of cowardice and stupidity (otherwise known as “cancel culture,” a term I am beginning to find tedious) nearly prevented that from happening.
Apropos of Nothing is a good read, and the chapters about his childhood and parents utterly charming. You can see where he got his attitude and humour. I absolutely love his approach to work – you just keep doing it and doing it and you not only ignore reviews (good and bad), you don’t even bother reading or listening to them. You do not let them get you down and you cannot stop being busy.
Of course, people want to read the book because of his private life. I always admired, in the past, how he simply didn’t rise to the criticism and similarly as with his work, just continued his relationship with Soon Yi. He seems to have found a love match there, with decades of marriage and two children. No one would deny that what he did caused immense pain and hurt to Mia Farrow, but it seems clear to me that she, in turn, used her anger about the breach of trust in a most unproductive way. Too bad – she has enormous gifts. I don’t believe that he molested his daughter – he was investigated by some heavy-hitters and neutral parties and no one saw any reason to prosecute.
Up until the publication of his book, he hadn’t addressed the charges and didn’t whine when various projects of his were boycotted/cancelled. He addresses the charges in the book, and I’m glad. The escalating invective against him from Farrow and some of her kids, as well as from some weasel-ish actors – who got great benefit from working with him and then disowned him — was creating too much noise.
One thing he points out is that Mia’s son Moses, a quiet, private young man, has defended him and painted a different portrait of the actress and her family. If you are interested in this saga, it is worth your time to read it. I find Moses infinitely believable. I grew up in a family that was cult-like (as he describes the Farrow clan) and I know that families like this don’t appreciate those who say, “Wow! This cult sucks!” That was my role in my family and I paid a steep personal price for it. When people have a lot invested in a lie, they don’t appreciate truth-tellers and they will punish them accordingly, often with shunning (it’s a bit like being Amish!).
In short, I find Allen delightful and it is worth noting that no actress has ever accused him of being a harasser – of demanding sexual favours in return for a good role, and so on. I also think his female characters are among the most fully-drawn of any filmmaker. It is clear he likes women, respects them and sees them as whole.
The one thing in the book I found amusing – in a sad way – was Allen’s mystification at how the left-wing press has abandoned him. In particular, he laments his treatment by The New York Times. Heck, I could have told him that would happen, but his reaction is one of disillusion, as though he expected them to be fair because they are left-of-centre. Ha! Ironically, one of the best reviews he got was in National Review. I also liked this Guardian interview – Woody Allen comes out fighting.
So I recommend his book and all his films- yes, all of ’em. It is the mark of a true talent that even his bad films are better than most people’s good ones (also true of Scorsese and Spielberg). I realize that your mileage may vary, dear reader, but please don’t cancel Woody Allen. We need him in this often sad world.
This is a remarkable piece of writing. I don’t know the writer’s work well, but I seem to recall he did some excellent reporting on Syria and Iraq. The focus on architecture and its meaning is refreshing — I, too, am a fan of Sir Roger Scruton — and I can only hope he (the writer) isn’t entirely prophetic.