Many of the obituaries of Jerry Lewis have mentioned his popularity in France, but none of those that I have read have talked about Italy. Regular readers of this site know I spend a lot of time in Italy and I can assure you he was/is held in as high regard there as in France. In Italy, they call him Il Picchiatello (the ‘crazy one’ or ‘nutty one’). I’m a huge Lewis fan, for the record — I love Cinderfella, in particular, and I think his philanthropy shouldn’t be dismissed or mocked, as it sometimes is. But I do find some of the European over-intellectualizing of his career — and of cinema, in general — a bit rich. Here is an example from Italian TV. If you speak Italian, enjoy. If you don’t, well, enjoy the sound of the gorgeous language, and stand in awe at the low production values of Italian TV.
I found this documentary on YouTube – simply haunting. There are two parts. This is the first part – Part 2 can be found quite easily, if you are interested.
When I study in Italy, this man is my music teacher. I could not be luckier — attending his lessons is worth the cost of the trip to Italy and then some. (Yes, his last name does mean ‘sp*ders,’ the creatures of which I am so afraid I cannot even write out the word. This tells you how marvelous he is — normally I could not sit in the same room with someone so named. But he is worth it.) Please enjoy this clip in which he discusses Lutheran music, the Reformation, Bach, and in which he uses my absolute favourite hymn, A Mighty Fortress is our God, as a point of discussion.
Here are some more kitties from my visit to Rome’s Protestant Cemetery.
A mighty hunter!
Still life with pine cone.
Alert black and white chap.
Orange cat contemplates life at Keats’ grave.
There is a managed colony of stray and feral cats living in Rome’s Protestant Cemetery. I think they like being near the pyramid: reminds them of when they were gods. I have many pics of them, including some here at my Flickr page (if this is not public, forgive me) and here at my National Geographic page (it definitely is public). I’ll start with a few and post more in days to come.
Calico beauty (if you look at my old photos from the links above, you will see that this kitty has been thriving at the cemetery for a few years).
Kitty on a tomb, using it to get up into a tree.
Kitty in the tree.
Dolce. Sweet. Puppies saved from the recent avalanche in Italy’s Gran Sasso region.
Yes folks, I’m back on this side of the Atlantic, with many tales to tell of striking Lufthansa pilots of whom I cannot complain because they allowed me extra days in Rome; of jet-lag and postponed surgeries; of reverse culture shock and a desperate need to catch up on all my work. This wee post is just a start. In the meantime, here is a pic of a lovely girl I saw in Rome’s Protestant Cemetery.
I posted earlier about the quakes and such going on here, and it occurred to me that I really need to put things in perspective. I was talking to a couple of classmates here in Italy who are from the Ukraine, and they basically said they felt safer taking their chances with quakes than going back home to deal with war. And then I remembered my uncle’s letter about nearly being killed in a buzz-bomb attack (two months before he was killed by a German shell). Please read that letter and spare a thought for those who serve and those who served. Remember all those young men and women.
Yes, I am close (anywhere from 55 to 100 km) to the epicentres of several “aftershocks” and/or quakes that have been happening here (central Italy). Yes, one can feel some of these events rather strongly. Yes, I am scared. However, all the locals seem convinced we aren’t in any danger here and that is what I choose to believe. (Positive thoughts, vibes and prayers are most welcome.)
I’m afraid I became far too emotionally invested in season 10 of the Italian series Don Matteo. The finale aired this past week, and while it is probably not worth reading a lot into it, I have to wonder what it says about Italians that apparently most of the show’s fans/viewers were happy with the ending. (I make this judgment based on reading online reviews and social media critiques of the series, for whatever that is worth.) Basically, this season revolved around a love triangle in which a truly horrible, trashy girl (Lia) wins over the heart of a police captain (Giulio) who is set to marry a sweet, beautiful woman (Margherita) who writes children’s books.
Now, the trashy girl is pregnant by someone other than the police captain and asks him to pretend he’s the kid’s father because, you know, she just didn’t really like the guy by whom she got pregnant. This is just for starters. As the season developed, she did the following: quit her job and moved in with her 60-something aunt and uncle, expecting them to pay for everything and look after her and her baby; pretended to be friends with her rival so that she could sabotage her wedding plans; poisoned her rival; threw herself repeatedly — and in a slutty manner — at the police captain even after he had announced his engagement; was spiteful and resentful that everyone liked the police captain’s fiancée and sulked and pouted about it; made scenes and just generally behaved like a drama queen when she didn’t get her way or when someone displeased her; manipulated and lied about any number of things in virtually every episode in which she was featured (far too many); asked the police captain to be in the delivery room with her regardless of how inappropriate such a demand was, given that a) he had a girlfriend and b) there were countless other people she could have asked; spied on the police captain and his fiancée via a closed-circuit camera (of which they were unaware) when they were on a romantic date, and…more. There was more.
Lia was just the worst. Una stronza.
And yet…she is insanely popular with viewers of the show. When Lia won over Giulio and he humiliated Margherita at the altar, a majority of viewers were happy! Why? I have no clue, but it’s a sorry reflection on Italian TV viewers.
All of this was aggravated by two other factors: 1) Lia’s character is the cousin of Giulio’s dead wife. In other words, he is marrying his dead wife’s cousin. Ew. And the dead wife was terrific — I have no clue why the show’s writers killed her off after Season 8. 2) The actress who plays Lia — Nadir Caselli — has what Italians call a voce di ochetta (roughly translated, a goose voice, a bimbo voice, a screechy, whiny, profoundly grating voice). I found her fastidiosa, una lagna, una stronza, egoista and cattiva. Of course, one of the reasons I watch Italian TV is to keep my level of Italian up, so I guess my contempt for Lia served a purpose. Lagna, for example, was a new word for me.
Further, the show’s title character behaved in an appalling way in the finale. Don Matteo is a priest who spends virtually every episode lecturing everyone and sticking his nose in where it doesn’t belong, but also being kind and empathetic, even with murderers and rapists and thieves. And yet, in this last episode, when Giulio dumps Margherita at the altar to run away with trashy Lia, Don Matteo smiles and seems, like, really happy! And then, outside the church, when Margherita is clearly suffering, he doesn’t so much as offer her a kind word or a shoulder to cry on or an invitation to come and talk to him at the church (where he usually helps people in their moments of woe). He just talks about her behind her back with some of the guests. Huh? Gosh, very compassionate and priestly.
So that is my rant – I got far too upset and invested in the series this season. I’ve seen every season now (though not all of them in real time), but I honestly don’t think I will watch if there is a Season 11. I don’t think I can bear Lia’s voce di ochetta for another three months.