Peeps, I am completely without words to express my sadness at the death of Mary Tyler Moore. I will process and write about it later. I wanted to write about Robbie Burns and many other things this week, but something more close to home has been taking my attention – my Significant Other had hip replacement surgery this morning. He is doing well, thankfully. But the day has been busy, so for now I will link back to my Burns post of exactly one year ago tonight. Mary would approve. She was a friend to the animals.
It’s always the right time for this poem, though I have always disagreed that “we must love one another or die.” (LBJ used that imagery frequently.) I don’t think that is so. I think “love” is not the only alternative to killing each other. That said, I would consider my life’s purpose fulfilled were I able to write something this beautiful.
I sit in one of the dives
On Fifty-second Street
Uncertain and afraid
As the clever hopes expire
Of a low dishonest decade:
Waves of anger and fear
Circulate over the bright
And darkened lands of the earth,
Obsessing our private lives;
The unmentionable odour of death
Offends the September night.
Accurate scholarship can
Unearth the whole offence
From Luther until now
That has driven a culture mad,
Find what occurred at Linz,
What huge imago made
A psychopathic god:
I and the public know
What all schoolchildren learn,
Those to whom evil is done
Do evil in return.
Exiled Thucydides knew
All that a speech can say
And what dictators do,
The elderly rubbish they talk
To an apathetic grave;
Analysed all in his book,
The enlightenment driven away,
The habit-forming pain,
Mismanagement and grief:
We must suffer them all again.
Into this neutral air
Where blind skyscrapers use
Their full height to proclaim
The strength of Collective Man,
Each language pours its vain
But who can live for long
In an euphoric dream;
Out of the mirror they stare,
And the international wrong.
Faces along the bar
Cling to their average day:
The lights must never go out,
The music must always play,
All the conventions conspire
To make this fort assume
The furniture of home;
Lest we should see where we are,
Lost in a haunted wood,
Children afraid of the night
Who have never been happy or good.
The windiest militant trash
Important Persons shout
Is not so crude as our wish:
What mad Nijinsky wrote
Is true of the normal heart;
For the error bred in the bone
Of each woman and each man
Craves what it cannot have,
Not universal love
But to be loved alone.
From the conservative dark
Into the ethical life
The dense commuters come,
Repeating their morning vow;
‘I will be true to the wife,
I’ll concentrate more on my work,’
And helpless governors wake
To resume their compulsory game:
Who can release them now,
Who can reach the dead,
Who can speak for the dumb?
All I have is a voice
To undo the folded lie,
The romantic lie in the brain
Of the sensual man-in-the-street
And the lie of Authority
Whose buildings grope the sky:
There is no such thing as the State
And no one exists alone;
Hunger allows no choice
To the citizen or the police;
We must love one another or die.
Defenseless under the night
Our world in stupor lies;
Yet, dotted everywhere,
Ironic points of light
Flash out wherever the Just
Exchange their messages:
May I, composed like them
Of Eros and of dust,
Beleaguered by the same
Negation and despair,
Show an affirming flame.
A poem that says it all.
To a Mouse
On Turning up in Her Nest with the Plough, November, 1785Wee, sleeket, cowran, tim’rous beastie,O, what a panic’s in thy breastie!Thou need na start awa sae hasty,Wi’ bickerin brattle!I wad be laith to rin an’ chase theeWi’ murd’ring pattle!
I’m truly sorry Man’s dominionHas broken Nature’s social union,An’ justifies that ill opinion,Which makes thee startle,At me, thy poor, earth-born companion,An’ fellow-mortal!
I doubt na, whyles, but thou may thieve;What then? poor beastie, thou maun live!A daimen-icker in a thrave’S a sma’ request:I’ll get a blessin wi’ the lave,An’ never miss ’t!
Thy wee-bit housie, too, in ruin!It’s silly wa’s the win’s are strewin!An’ naething, now, to big a new ane,O’ foggage green!An’ bleak December’s winds ensuin,Baith snell an’ keen!
Thou saw the fields laid bare an’ waste,An’ weary Winter comin fast,An’ cozie here, beneath the blast,Thou thought to dwell,Till crash! the cruel coulter pastOut thro’ thy cell.
That wee-bit heap o’ leaves an’ stibbleHas cost thee monie a weary nibble!Now thou’s turn’d out, for a’ thy trouble,But house or hald,To thole the Winter’s sleety dribble,An’ cranreuch cauld!
But Mousie, thou art no thy-lane,In proving foresight may be vain:The best laid schemes o’ Mice an’ MenGang aft agley,An’ lea’e us nought but grief an’ pain,For promis’d joy!
Still, thou art blest, compar’d wi’ me!The present only toucheth thee:But Och! I backward cast my e’e,On prospects drear!An’ forward tho’ I canna see,I guess an’ fear!
I love In Flanders Fields, but this Robert Laurence Binyon poem, written in 1914, gets to me just a bit more. I am not sure why, but the first time I visited Bretteville-sur-Laize Cemetery, the French cab driver who took my there said, of my uncle, “at least he won’t ever grow old.”
With proud thanksgiving, a mother for her children,
England mourns for her dead across the sea.
Flesh of her flesh they were, spirit of her spirit,
Fallen in the cause of the free.
Solemn the drums thrill: Death august and royal
Sings sorrow up into immortal spheres.
There is music in the midst of desolation
And a glory that shines upon our tears.
They went with songs to the battle, they were young,
Straight of limb, true of eye, steady and aglow.
They were staunch to the end against odds uncounted,
They fell with their faces to the foe.
They shall grow not old, as we that are left grow old:
Age shall not weary them, nor the years condemn.
At the going down of the sun and in the morning
We will remember them.
They mingle not with their laughing comrades again;
They sit no more at familiar tables of home;
They have no lot in our labour of the day-time;
They sleep beyond England’s foam.
But where our desires are and our hopes profound,
Felt as a well-spring that is hidden from sight,
To the innermost heart of their own land they are known
As the stars are known to the Night;
As the stars that shall be bright when we are dust,
Moving in marches upon the heavenly plain,
As the stars that are starry in the time of our darkness,
To the end, to the end, they remain.