The Americans: Thoughts on the Season Finale

I am grateful that ‘The Americans’ does not appear to be going the way of Homeland, the most recent season of which seemed, as my Significant Other put it, to have been written by Barack Obama. For those of you who didn’t watch Homeland this season: first of all, congratulations; second of all, it revolved around a terror attack on New York City apparently committed by an Islamist but actually committed by rogue CIA agents who – naturally – got some help along the way from Mossad.

I am well aware that the left has won the culture wars and that the viewpoints espoused in movies, television and media are going to reflect this fact. But one grows weary. Heck, even my beloved Hawaii Five-0, a show I have long enjoyed because it generally avoids politics and simply shows great-looking cops shooting bad people, had an episode this season where an impending terror attack apparently planned by an Islamist was actually planned by right-wing extremists (somehow affiliated with the government and military, of course).

But ‘The Americans,’ thankfully, has resisted the urge to make communism seem benign and misunderstood. It’s too intelligent for any such nonsense. Oh, it contains its fair share of moral equivalencies, and its share of “no context given” comments: for example, when Elizabeth (as the show’s resident true believer, she is responsible for many silly and baseless assertions) points out that the US can’t be trusted because they are the only country to have used a nuclear weapon. Er, yes, but, you know, some context would be useful here. It wasn’t as though Harry Truman got up one morning and said, “Oh heck, I’d like to nuke someone peaceful and kind today.”

In fact, Elizabeth, with her endless yammering about “justice” and constantly using her interpretation of that word to justify terrible acts, reminds me a lot of the social justice bullies of today. You can draw a line, I believe, from her 1980s-Soviet-totalitarian-bromides to today’s fascism of the left (and make no mistake, it is fascism). And I mean, you can draw that line in real life. I refer here to those lefties who are – and who have long been — pathologically anti-Western.

Enough about such clowns – let’s get to this season of ‘The Americans.’ It has had as its theme, food – the want of the USSR, the excesses of the US. Philip, who way back in the first season was talking about defecting, makes a comment about how the endless fields of wheat in Kansas (where he and Elizabeth are on a mission) remind him of home. “Why,” he asks, “can’t we feed our own people?”

This is an excellent question. The series’ writers have constructed storylines around corruption in the USSR as the main reason for the food shortages. On a micro-scale, yes, that may have been the case. But, of course, the macro-picture, the main reason the USSR could not feed its own people, was that it did not have a free market. So far, this has not been clearly articulated in the show, but at least the writers of ‘The Americans’ have moved away from the absurd notion – hinted at early on in the season — that the United States was planning to try and starve the Soviets (or any other people). One of the best moments this season was when the Jennings realized the US was not only not trying to starve everyone, but rather, was trying to feed everyone. Anyone who knows America and American idealism would not be surprised by that. As my Significant Other said, as we watched that episode, “Twenty years in America and Philip and Elizabeth don’t know America at all.”

They really don’t. (Not to mention that it was their own government that had deliberately starved people in the past.) They will be in for quite a surprise when/if they return home. Gabriel, I think, is beginning to understand one thing about America – it has already won the Cold War. That is how I interpreted the scene where Gabriel visits the Lincoln Memorial before announcing that he has decided to leave. He knows the Soviet jig is up-ski.

Oleg has already returned home, and is getting his own share of surprises: seeing how messed up the food situation is; seeing the embedded corruption; hearing colleagues say matter-of-factly that they have to send someone to prison for ‘treason’ even though all that person did was tell the truth about something or voice a political opinion. But his biggest surprise is learning that his mother had been in a gulag after the war.

Philip has his own revelation about the gulags this season, when he discovers — from Gabriel — that his father had been a guard in one. It causes Philip to view his childhood memories differently: those boots his father brought home one night, for example, were they stolen from a prisoner?

So I tip my hat to the show’s writers and creators…but one cannot stop celebrities from being morons, can one? Alison Wright, who so magnificently gave us the tragedy of Martha, revealed herself in an interview to be not so magnificent when it comes to political/historical analysis. In this interview, she claims – referring to the execution of Nina Sergeevna Krilova on the show – that the Soviets were more ‘humane’ than we (i.e., the United States) about such things because they just snuck up beyond you and shot you in the head. Whereas, you know, we put you on death row and make you wait.

Well, yeah, but we also give you a lawyer, an appeal system that is not a joke and that doesn’t amount to a kangaroo court, and plus, we have the added bonus of actually having to prove our charges against you! Fairly certain that makes us more humane.

Gosh, maybe Martha belongs in the Soviet Union after all.